2001 – 2003 Royal College of Art, London - MA Fine Art Painting
1998 – 2001 Loughborough University School of Art & Design - BA (Hons) Fine Art Painting

October 2006-March 2007 'Aggregate' solo, ArtSway, City Gallery, Leicester and Talbot Rice Gallery, Edinburgh
Mar-June 2006 'Lustfaust: The Posters', Riflemaker, London
Mar-June 2006 'Becks Futures', ICA - London, Arnolfini - Bristol, CCA - Glasgow
January-Feb 2006 'Trivium' solo, Galleria Zero, Milan, Italy
February-May 2006 'In Search of Perfect Harmony', Tate Britain, London
June-July 2005- 'A History of the Modern World' solo, Central Space, London
April-May- 2005 'Fontana Modern Masters' solo, Riflemaker, Beak St, London
May 2005- 'After the Fact',Tullie House, Carlisle and touring
November 2004, Untitled (solo), IBID project, Vilnius, Lithuania
October 2004, 'Expander', Royal Academy of Arts, London
July - November 2004, 'Galleon & Other Stories', Saatchi Gallery, London
May – June 2004 - ‘Naomi V. Jelish’ (solo) Riflemaker, Beak St, London
March – April 2004 - ‘This much is certain…’ Royal College of Art Galleries
Dec 2003 – Jan 2004 - ‘Inside Out-Investigating Drawing' Milton Keynes Gallery
October 2003 - ‘nth Art’ Ols & Co. Gallery, London
July - October 2003 - ‘Bloomberg New Contemporaries 2003’ Cornerhouse, Manchester & 14 Wharf Road, London
June 2003 - ‘Please – Take One’ 39, Mitchell St, London
December 2002 - ‘Artlab22: Over The Road’ Imperial College, London
December 2002 - ‘Five Books’(solo) Hockney Gallery, Royal College of Art
July 2002 - ‘Spectrum ll’ Heathcote Arts, Nottingham
March 2002 - ‘Diversion' Arch 295, Camberwell. London

After the Fact, Exhibition catalogue, Anthony Vilder Essay, Tullie House, April 2005, 50 pages, Fontana Modern Masters, Exhibition Catalogue, Martin Holman and Jamie Shovlin, Riflemaker book, April 2005, 32 pages
Richard Dorment “The fakes that reveal reality”, Daily Telegraph, July 14 2004, p. 19
“Forging Ahead”, The Guardian, July 10 2004, p.25
Fisun Guner “Galleon & Other Stories”, Metro Newspaper, July 9 2004, p. 26
Nick Hackworth “Still Making Waves”, Evening Standard, July 6 2004, p.48
Louise Jury “Just a side order of controversy …”, The Independent, July 3 2004, p.26-27
Nigel Reynolds “ Portrait of the artist as a young hoaxer”, Daily Telegraph, July 2 2004, p.8, Sally O’Reilly “Jamie Shovlin”, Time Out, No. 1764, June 9-16 2004, p.50
Chris McCormack “This much is certain”, Contemporary, No.63, June 2004, p.145-146
Naomi V. Jelish, Exhibition Catalogue with essays by Tony Godfrey & John Ivesmail, Riflemaker Press, May 2004, Richard Dyer “News”, Contemporary, No.62, May 2004, p.14-15
Sally O’Reilly “This much is certain”, Time Out, No. 1753, March 24-31, 2004, p.45
Naomi V. Jelish, Exhibition Catalogue, Riflemaker, Beak Street, London, May 2004
This much is certain…, Exhibition Catalogue, RCA Curating Contemporary Art students, March 2004, Pike, Anna “Inside Out: Investigating Drawing”, A-N Magazine, February 2004, p. 7
Darwent, Charles “Hung, drawn and totally pointless”, Independent on Sunday, December 21st 2003, p.7, Fisun Giser “Student Antics”, Metro Newspaper, September 24th, 2003, p.22
Martin Vincent “Bloomberg New Contemporaries”, Art Monthly, September 2003, p.30-31
Dave Gledhill “New Contemporaries”, City Life Magazine, 9-16th July 2003, p.22-23
Bloomberg New Contemporaries 2003, Exhibition Catalogue, July 2003
The Show 2003 at the Royal College of Art, Exhibition Catalogue, June 2003
BFI National Film Library –“The Role Of The Staircase In John Carpenter’s Halloween” MA Thesis, May 2003, Artists Newsletter Magazine “Lightsource”, October 2002, p.33
Spectrum II Exhibition Guide, July 2002, Diversion Exhibition Supplement, March 2002

Saatchi Collection
Collection of Martin Holman
Collection of Alexander de Brye
Collection of Gwendolyn McGuire
Stanley Smith Scholarship, August 2001
AstraZeneca Purchase Prize, July 2000